JOHNNY HARRIS: BAD BOY
One Summer by Karen Robards (Dell, 1993) We’ve had a couple of posts on motorcycles and whether a hero who rides one should automatically be labeled a bad boy. There’s no question that Johnny Harris is a bad boy, and the fact that he rides a motorcycle is actually just icing on the cake.
STATS:
Johnny has been in prison for ten years for a murder he didn’t commit. When he returns to the scene of the crime-his home town-the only person willing to give him a chance is his former English teacher, Rachel Grant, whom he’d always had “the hots” for.
THE LOOK:
Scuffed cowboy boots, beat up jeans, and a white t-shirt. Wide shoulders. “The sullenly handsome boy she remembered was still sullen, still handsome, but no longer a boy. He had matured into a dangerous-looking man.”
LEADING LADY:
Rachel Grant is a well-respected woman who takes on the disdain of the town by giving Johnny both a job and a place to stay-the apartment over her store. She believes in his innocence and remembers him as one of her “success stories” as a teacher. She’s loyal, making sure that her ailing father is taken care of, and hates injustice, which she proves when she drags Johnny back to a restaurant that refused to serve him.
The Bad Boy With A Heart:
There are several instances when Johnny Harris shows he has a heart. One of the most dramatic is when he goes to see his abusive father and sees a dog. At first glance, all he saw was a “mangy cur like all the other mangy curs, a little bigger than most. Underfed, bred for meanness, probably dangerous.” But then Johnny realizes the dog is his beloved pet, Wolf, the one he missed so much while in prison. He’s so overwhelmed to see him that he weeps.
The first time he’s able to get really close to Rachel is when they’re out for the night (separately) and he teaches her that she can enjoy dancing. “He shimmied with her, turned her, dipped her back and pulled her up into his arms. All the while the friction of his leg moving between hers stole away the last vestiges of her good sense.” He ends the dance with one statement-”You can run, teacher, but you can’t hide.”
Finally, Johnny telegraphs his love for Rachel loud and clear when he recites a poem by Robert Burns, one he memorized long ago because it had been her favorite.
BOTTOM LINE:
This book has great suspense, great passion, and a message of tolerance, forgiveness, and bucking the odds. Johnny is the younger bad boy coming back to claim the slightly older woman he’s always loved, and the reader cheers when he finally gets Rachel on his bike with the promise that she’ll “love it.”
QUESTION OF THE DAY:
Have you ever dated a younger man? What is the maximum age difference that you would be comfortable with and why?
Everyone loves a good hero, but what do readers, agents, editors, and writers love most? Join us as we delve under the covers and find out!
